ࡱ > I K H '` 0 0 bjbj$$ 22 F F % " " " 8 Z D & " 4 @ & & & & & & & $ ( h + @ ,& - / / / ,& 4 Y& " " " / & " / & " " N% % OiC " f% % o& 0 & n% , W+ ! W+ % % W+ % < H n " r d Y H H H ,& ,& k" j H H H & / / / / CV
Jinyup Kim
PERSONAL
Department of Aesthetics, College of Humanities,
Seoul National University
e-mail: jinyupk@snu.ac.kr
UNIVERSITY EDUCATION AND DEGREES
1982-86 B.A. in Philosophy at Seoul National University in Korea.
1988-91 M.A. in Aesthetics at Seoul National University in Korea. M.A. Thesis Title: "The Function of Cognition and Truth in Metaphor"
1991-95 D.Phil. in Philosophy at Temple University. Dissertation Title: "Contemporary Theories of Interpretation" Supervised by Richard Shusterman
1996-1997 Post-Doctor in Aesthetics at Seoul National University in Korea.
ACADEMIC APPOINTMENTS
1997-99: Visiting Scholar at the Institute for Cultural Studies, Temple University
2000-2006: Assistant Professor at Hongik University, Rep. of Korea
2006- Present: Associate Professor at Seoul National University, Rep. of Korea
ACADEMIC AWARDS
Korea Research Foundation Fellowship, 1996-1997
MEMBERSHIP
Member of Korean Society for Aesthetics
Member of Korean Society for Contemporary Visual Art
Member of Korean Society for Art History
ARTICLES
1. Theories of Interpretation in Gadamer and Pragmatism: Beyond Foundationalism and Scepticism," Korean Aesthetic Studies 2 (1996).
2. The Sceptical Theories of Interpretation: Barthes, Derrida and Miller," Korean Journal of Aesthetics 21 (1996).
3. On Hume's Standard of Taste," Korean Journal of Aesthetics 22 (1997).
4. Foundationalist Theories of Interpretation: Intentionalism and Formalism," The Journal of Humanities 37 (1997).
5. Contemporary Anglo-American Aesthetics (1)," Korean Journal of Aesthetics 25 (1998).
6. Inwards a Newer Laocoon: Of the Art Criticism of Greenberg," Korean Journal of Aesthetics 26 (1999).
7. "Art Education and Aesthetics," Korean Journal of Aesthetics 27 (1999).
8. "Art Education and Postmodernism," Art Education 9 (1999).
9. Grace: Aesthetic Concept of Mannerism," Korean Journal of Aesthetics 29 (2000).
10. John Dewey's Theory of Art Criticism, Studies of Plastic Arts 2 (2000).
11. Aesthetic Experience, Journal of Art Education 11 (2001).
12. The Concept of Unity in Aristotle and Hua-yen Buddhism," Korean Journal of Aesthetics 31 (2001).
13. Minimalism, Korean Journal of Aesthetics 32 (2002).
14. What is Art?: Answers of Contemporary Anglo-American Aesthetics, Journal of Aesthetics and Art 16 (2002).
15. What is Art?: Answers of Evolutionary Psychology Korean Journal of Aesthetics 36 (2003).
16. Aesthetic Issue of Digital Art: Interactivity, Studies of Contemporary Art (2004).
17. Aesthetic Criticism of Virtual Reality Art, Journal of Aesthetics and Art 22 (2005).
18. Toward a Pluralist Aesthetics, Studies of Contemporary Art (2006).
19. Artificial Life and Art, The Journal of Humanities (2007).
20. Pragmatism and Art, Philosophy and Culture (2008).
21. Freud's Leonardo," The Journal of Humanities (2010).
22. Wound and Healing," Aesthetics and Its Denotation (2010).
BOOKS
Seven Answers of Art, Book World (2007).
TRANSLATIONS
Pragmatist Aesthetics: Living Beauty, R e t h i n k i n g A r t b y R i c h a r d S h u s t e r m a n , |ȹҘ Y: D ǔ Dń, t . S e o u l : Y e j u n , 2 0 0 2 . K o r e a n t r a n s l a t i o n o f t h e 2 n d e d w i t h s p e c i a l K o r e a n p r e f a c e .
2 n d K o r e a n E d i t i o n . S e o u l : B o o k K o r e a P u b l i s h e r s , 2 0 0 9 . ( R e v i s e d w i t h a n e w p r e f a c e . )
J L e g ̵oV; 5hbo hbo B*CJ OJ PJ QJ ^J aJ mHph sH0hbo hbo >*B*CJ OJ PJ QJ ^J aJ ph 0hbo hbo B*CJ OJ PJ QJ ^J aJ o(ph *hbo B*CJ OJ PJ QJ ^J aJ o(ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 0hbo hbo 5B*CJ OJ PJ QJ ^J aJ ph 3hbo hbo 5>*B*CJ OJ PJ QJ ^J aJ ph
L g r
S
V
m
W Z k $dh [$ \$ a$gdbo $dh [$ \$ a$gdbo 0 p r
Q
S
T
U
ʭ}f}f}fPfPf}<}f}f} 'h%2p B*CJ OJ PJ QJ ^J aJ ph *hbo B*CJ OJ PJ QJ ^J aJ o(ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 0hbo hbo >*B*CJ OJ PJ QJ ^J aJ ph 8hbo hbo B*CJ OJ PJ QJ ^J aJ mHo(ph sH 2hbo B*CJ OJ PJ QJ ^J aJ mHo(ph sH 5hbo hbo B*CJ OJ PJ QJ ^J aJ mHph sH U
V
k
l
m
U W X Z i j k 0 1 2 3 ; < = η砷η砷η砷ηt *hbo B*CJ OJ PJ QJ ^J aJ o(ph *hbo B*CJ OJ PJ QJ ^J aJ o(ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 0hbo hbo >*B*CJ OJ PJ QJ ^J aJ ph 0hbo hbo B*CJ OJ PJ QJ ^J aJ o(ph # 2 3 = :
W M 3 F \ " ] $dh [$ \$ a$gdbo
"
#
-
8
:
]
y
. J U W 4 A K M N y ηηηηηηηηrηr *h/
B*CJ OJ PJ QJ ^J aJ o(ph *hbo B*CJ OJ PJ QJ ^J aJ o(ph 0hbo 6B*CJ OJ PJ QJ ]^J aJ o(ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 3hbo hbo 6B*CJ OJ PJ QJ ]^J aJ ph ,
% 2 3 4 5 q # ' 1 2 : D F G H } 2 9 = O Z \ ] ηΡηΡηΡηΡηΡηΡηΡη 0hbo 6B*CJ OJ PJ QJ ]^J aJ o(ph *h/
B*CJ OJ PJ QJ ^J aJ o(ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 3hbo hbo 6B*CJ OJ PJ QJ ]^J aJ ph 5] ^ " # $ : T [ ] ^ _ v ӹӢӹӢӹӢӹӢӹӢpӢd h%2p OJ QJ ^J aJ 0hbo hbo B*CJ OJ PJ QJ ^J aJ o(ph 0hbo hbo >*B*CJ OJ PJ QJ ^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph 3hbo hbo 6B*CJ OJ PJ QJ ]^J aJ ph -hbo hbo B*CJ OJ PJ QJ ^J aJ ph *h/
B*CJ OJ PJ QJ ^J aJ o(ph # > 0 0 0
0 0 0 0 0 0 0 0 &`#$gdC& dh gd])\ dh gdbo $dh [$ \$ a$gdbo " P \ ^ b d f j l p r z ~ , < > @ D ȴxttl_lX h])\ h%2p h3X h%2p B*H*ph h%2p B*ph h])\ h<. h%2p H*h%2p h 1V h%2p B*QJ ^J ph333 h 1V h%2p B*QJ ^J o(ph333 h 1V h%2p OJ PJ QJ ^J o(h%2p B*QJ ^J ph333 h%2p B*ph333 h%2p B*QJ ^J o(ph333 h%2p OJ QJ ^J aJ "h%2p h%2p 6OJ QJ ]^J aJ hbo OJ QJ ^J aJ 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 h] 0J mH nH uh])\
h])\ 0J j h])\ 0J UUhId j hId U hbo h%2p OJ QJ ^J aJ
PAGE
PAGE 1
0 1h2P . A!"#$% S Z @ Z N o r m a l $1$ 4$ 7$ 8$ a$ KH OJ _HaJ mH nHsH tH D A@ D D e f a u l t P a r a g r a p h F o n t R i R T a b l e N o r m a l 4
l 4 a ( k ( N o L i s t l ^@ l bo N o r m a l ( W e b ) " $ d d 1$4$7$8$[$\$a$ CJ KH OJ PJ QJ ^J 6 @ 6 bo F o o t e r
8!G$ . )@ . bo P a g e N u m b e r 6 "6 /
H e a d e r
B#G$ 8 18 /
C h a r C h a r KH OJ aJ
2 L g r S V m W Z k 2 3 = : W M 3 F
\
" ]
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 U 0 0 0 0 U 0 0 0 0 0 0 0 0 0 0 0 0 U 0 0 0 0 @ 0 @ 0 0 0 U 0 0 L g r S V m W Z k 2 3 = : W M 3 F
\
" ]
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 )
0 0 $ $ $ ' U
] 0 0 0
' ! ! @ @ H 0 (
0 (
B
S ? [ 8 X_ L]
,
te
we
ve
ve
\
ܟ
\
ܠ
\
ܡ
\
ܢ
\
ܣ
\
3
4
4
4
5
\4
3
5
\<
,
l
쀺
,
l
쁺
,
l4 4 ? L L R [
$ $ . 4 = K K - 3 < P P k k M M
! " # $ % & ' ( ) * + ; I I Q Z e e ) ) 3 < G P P 2 ; F U U p p R R
! " # $ % & ' ( ) * + = * *urn:schemas-microsoft-com:office:smarttags PlaceName = , *urn:schemas-microsoft-com:office:smarttags PlaceType 9 + *urn:schemas-microsoft-com:office:smarttagsplace 8 *urn:schemas-microsoft-com:office:smarttagsCity B " *urn:schemas-microsoft-com:office:smarttagscountry-region , , + * * + * , * * , " + * * , " + , + , * * , " + , + , * , " + * * , " + " + + + " g _ f ~ l s ^ a / 1 3 5 6 8 9 = ? A B E F H I K T Y
g * r ! - V X a
3 3 3 3 3 3 3 3 3 3 S m Z k
b? iFr 80 8^8`0o(
^`h H .
pL p^p`Lh H .
@ @ ^@ `h H .
^`h H .
L ^`Lh H .
^`h H .
^`h H .
PL P^P`Lh H . b? n8j .I; /
bo C& JO ])\ %2p Id Rx ]
y @ Ȫr ``"(
@ ` @ U n k n o w n G z T i m e s N e w R o m a n 5 S y m b o l 3& z A r i a l K \Ց
p, \˳ B a t a n g A \Ց
p B a t a n g ; |i0 B a t a n g U A r i a l U n i c o d e M S A r i a l 9& |i0 G u l i m t 1 h FFz& ! " ! % ) , . : ; ? ] } 2 3 ! 0 0
0000 =] ( [ \ { 0
0 0000;[ 2q HX ? bo 2 C V s h u s t e r 1 Oh +'0
0 < H
T ` h p x CV Normal.dot shuster1 2 Microsoft Office Word @ @ N2B@ &^C@ &^C ՜. +,0 h p |
' CV Title
! # $ % & ' ( ) * + , - . / 0 1 2 3 4 5 6 7 9 : ; < = > ? A B C D E F G J R o o t E n t r y F OiCL D a t a
1 T a b l e " g+ W o r d D o c u m e n t 22 S u m m a r y I n f o r m a t i o n ( 8 D o c u m e n t S u m m a r y I n f o r m a t i o n 8 @ C o m p O b j q
F Microsoft Office Word Document
MSWordDoc Word.Document.8 9q