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o f f i c e h o u r s : T Th 2:00-4:00 pm, HE 708
Course Description
Continuation of the study of the development of architecture and urban form from the Industrial Revolution to the present. Particular emphasis is placed on the theoretical aspects of design as revealed in the interrelationships among cultures, architecture, urban development and technology throughout the world.
Course Objectives
The primary objective of the course is to acquaint students with the complex history and theory of modern architecture by offering a global perspective of buildings and their settings, along with the dissemination of design theory from the late 19th century until today. Upon taking the course, the student should be able to competently discuss how architecture faced and resolved the main problems of modernity: aesthetic, technological, social, political, economic, etc.
Corequisites
ARC 4327
Attendance
Attendance of lectures is required. Students absent from three or more classes without serious reasons (medical or otherwise) given in writing in advance of the class will drop ONE whole letter grade. Students absent for four to six classes without serious reasons (medical or otherwise) given in writing in advance of the class will drop TWO whole letter grades. Students absent from more than six classes without serious reasons (medical or otherwise) given in writing in advance of the class will receive a grade of F without exception. Students absent from a required presentation, assignment, or examination will receive, without exception, an F for that presentation, assignment, or examination.
Absence does not absolve the student from homework, assignments, or work progress due on the day of absence and the work due the following class. It is the students sole responsibility to contact someone from the class to get information on the material covered and assignments given.
Grading
Upon completion of this course, a minimum passing grade of C or better will require that the student:
be able to identify the most important buildings, architectural movements, and architects of the past 120 years;
be able to competently articulate the main problems encountered by modern architecture and solutions proposed for them;
be able to accurately use historiographic and theoretical terminology and
effectively participate in the discourse on modern architecture. The total grade will include the following components:
Midterm exam: 25% Final exam: 50% Research project: 15%
Class participation and quizzes: 10%
Letter grades are defined as follows:
A to A- Exceptional work, exceeding the requirements and exhibiting an unusual understanding of the material and creativity in synthesizing historiographic and theoretical concepts.
B+ to B- Good work, meeting all of the requirements, exhibiting a solid grasp of the material and competence in research.
C+ to C Average work, meeting the minimum requirements and exhibiting a consistent effort in understanding the material.
C- to D- Marginal work, meeting less than the minimum requirements, lacking clarity in understanding and exhibiting inconsistency in research.
F Failing work, meeting less than the minimum requirements.
Recommended Texts
Recommended texts for the class include:
William J. R. Curtis. Modern Architecture Since 1900. Third Edition. London: Phaidon Press, 1996. ISBN-10: 0714833568.
Jean-Louis Cohen. The Future of Architecture. Since 1889. London: Phaidon, 2012.
Ulrich Conrads, ed. Programs and Manifestoes on 20th-Century
Architecture. Cambridge, Mass.: The MIT Press, 1975. ISBN-13: 978-
0262530309
The required readings to be discussed in class will be posted on Blackboard before each class.
Participation
Students are responsible for assigned homework readings and are expected to participate in related in-class discussions, which will happen several times during the semester.
Blackboard
The instructor will use the on-line Blackboard system to post course materials, such as required readings and lecture presentations, assignments, and class announcements. Students should develop the habit of using the posted material for review and study and regularly checking Blackboard for new material.
Student Project
Students are required to complete a final research project. The projects will be presented to the class in a poster form midway through the semester and through a final submission. The final submission will be either a 12-page research paper on the same topic, or a model of a building, structural or environmental system, etc. (to be determined in consultation with the instructor).
Professional and Ethical Conduct
Just as clear and concise drawing is essential to the effective communication of architectural ideas so too is the clear and concise use of language, both spoken and written. The School of Architecture expects students to communicate their ideas effectively and in a professional manner. This includes
handwriting that is legible, correct spelling, proper punctuation and grammar, and referential citations that meet the Chicago Manual of Style standards for research and scholarly writing. All course work will be graded with consideration of these issues.
Students at Դɼ are expected to maintain the highest ethical standards. Dishonesty is considered a serious breach of these ethical standards, because it interferes with the University mission to provide a high quality education in which no student enjoys an unfair advantage over any other. Dishonesty is also destructive of the University community, which is grounded in a system of mutual trust and places high value on personal integrity and individual responsibility.
The FAU Code of Academic Integrity prohibits dishonesty and requires a faculty member, student, or staff member to notify an instructor when there is reason to believe dishonesty has occurred in a course/program requirement. The instructor must pursue any reasonable allegation, taking action where appropriate. Examples of academic dishonesty include, but are not limited to, the following:
(A) Cheating
i. The unauthorized use of notes, books, electronic devices, or other study aids while taking an examination or working on an assignment.
ii. Providing unauthorized assistance to or receiving assistance from another student during an examination or while working on an assignment.
iii. Having someone take an exam or complete an assignment in ones place.
iv. Securing an exam, receiving an unauthorized copy of an exam, or sharing a copy of an exam.
(B) Plagiarism
i. The presentation of words or ideas from any other source or another person as ones own without proper quotation and citation.
ii. Putting someone elses ideas or facts into your own words (paraphrasing)
without proper citation.
iii. Turning in someone elses work as ones own, including the buying and selling of term papers or assignments.
(C) Other Forms of Dishonesty
i. Falsifying or inventing information, data, or citations.
ii. Failing to comply with examination regulations or failing to obey the instructions of an examination proctor.
iii. Submitting the same paper or assignment, or part thereof, in more than one class without the written consent of both instructors.
iv. Any other form of academic cheating, plagiarism, or dishonesty.
For more information, see: HYPERLINK "http://www.fau.edu/regulations/chapter4/4.001_Code_of_Academic_Integrity.pdf" http://www.fau.edu/regulations/chapter4/4.001_Code_of_Academic_Integrity.pdf
General
Information concerning academic regulations, student rights and responsibilities may be found in the current Դɼ Catalog and Student Handbook. Personal communication devices such as pagers, beepers, and cellular telephones are to be disabled in class sessions. If any of these devices are not disabled, interrupting the class session, the owner will be asked to leave the class for the remainder of the period and shall be marked as absent for that day.
Special Needs
Students requiring auxiliary aids or services to ensure access to academic programs are encouraged to register with the Office for Students with Disabilities. Visit HYPERLINK "http://www.osd.fau.edu/" http://www.osd.fau.edu
Course Schedule
Week 1 : INTRODUCTION
01/07 Encountering Modernity
01/09 City transformed: Paris in the 19th century
Week 2: THE SEARCH FOR NEW FORM
01/14 From Arts and Crafts to Art Nouveau
01/16 From Jugendstil to Wagner
Week 3: GERMAN LANDS AT THE TURN OF THE CENTURY
01/21 MLK Day: no class
01/23 Inflections of rationalism: Loos and Deutscher Werkbund
Week 4: AMERICA AT THE TURN OF THE CENTURY
01/28 Chicago: Technology vs. Tradition
01/30 Frank Lloyd Wright and the Prairie School
Week 5: INVENTING THE AVANT-GARDE
02/04 Futurism and Expressionism
02/06 Avant-gardes in France, Holland, and Russia
Week 6: THE WEIMAR GERMANY
02/11 The Bauhaus
02/13 Mies in Germany
Week 7: LE CORBUSIER
02/18 TEST 1
02/20 Le Corbusier, 1907-1939
Week 8: COMPETING VISIONS
02/25 CIAM and the Modern Movement
02/27 Alternatives
03/01 Last day to drop the class
Week 9: SPRING BREAK
Week 10: ARCHITECTURE AND POLITICS, 1930-60
03/11 1930s: Italy, Germany, USSR
03/13 The two "International Styles" of the Cold War
Week 11: THE THREE 'WISE MEN' OF MODERNISM
03/18 Competing visions of postwar America: Wright vs. Mies
03/20 Search for symbolism: Corbusier, Utzon, Saarinen
Week 12: GLOBAL MODERNISMS
03/25 Scandinavia, Southern Asia, Japan
03/27 South America
Week 13: REINVENTING THE UTOPIA
04/01 PROJECT PRESENTATIONS
04/03 Team X, Metabolism, Archigram
Week 14: LOOKING BACK (AND FORTH)
04/08 Searching for monumentality: Kahn, Rudolph, Pei
04/10 Postmodernism(s)
Week 15: RETHINKING THE PREMISES
04/15 From Hi-Tec to green
04/17 Research-based practices
Week 16: FINAL REVIEWS
04/22 REVIEW
04/24 REVIEW
FINAL EXAM: Wednesday, May 1, 10:30 am - 1:00 pm
PAGE 1
ARC 4712
Modern Architectural History and Theory
3 credits
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